May 6: Triangulum performs at Tectonics festival, Glasgow. Trio with Catherine Lamb and Julia Holter.
May 10: Tiffany Ng premiers a new work for electroacoustic carillon, The Seer, at the University of Chicago.
June 3: Premier of a new choral piece for the Dog Star Chorus at Geffen MOCA, curated by Michael Pisaro.
June 15: Premier of The Oracle at Delphi, a new piece for 2 harpsichords and 2 voices. Dog Star concert, curated by Sepand Shahab.
Current interests: vocal interference, low frequencies, nonsense, tubes, Byzantine chant, paper, aliens, necromancy, villains, harmonicas, tuning forks, birds, the music of the spheres, bells.
Instruments: viola da gamba, contrabass, piano, guitar, harmonica, voice, invented instruments, some trumpet and fipple flute.
100-150 word bio: Laura Steenberge is a performer and composer in Los Angeles who researches language and the voice. Influenced by folk music, psycholinguistics, acoustics and medieval Byzantine chant, collectively her work is a study of nonsense and the boundaries of knowledge. A multi-instrumentalist, vocalist and public speaker, Steenberge uses voice, contrabass, viola da gamba, objects, images and movement to create works that intersect mythology and imaginary music with science and the physical shape of sound in traditional and site-specific locations throughout California, including SF MOMA, the Sutro Baths, the Hammer Museum, REDCAT and the Los Angeles County Museum of Art. She holds BAs in music and linguistics from the University of Southern California, an MFA in composer/performer and integrated media from CalArts, and a DMA in music composition from Stanford University. She teaches experimental sound practices at CalArts.